Workin' Home Sweet Home
Posted on Friday, December 31, 2021 at 7:08 PM
For many publishers, Omicron has obliterated plans to return to a
pre-pandemic normal. It is also forcing a reimagining of the role of
middle management and the workday as we once knew it.
By
William Dunkerley
"Workin' 9 to 5" is a phrase from the 1980
hit song “9 to 5” sung by Dolly Parton. Now more than 40 years later the
tune might well be "Workin' Home Sweet Home," i.e, performing our
editorial duties from home. But in either case, we're talking about a
contentious issue.
These days the issue is not the way we work,
but where we work: in the office or at home.
The Evolving
Concept of Work
The Omicron variant has thrust that issue
back into the forefront. Many publishers had been setting dates for
resuming mandatory time at the office -- not necessarily full-time, but
at least part-time. Now, however, a cresting Omicron wave may give some
editorial managers pause.
Some back-to-the-office plans are now in doubt.
That pause is also a good time to revisit the controversial question of
whether work at home should become a regular work arrangement.
Anne
Helen Peterson, coauthor of Out of Office: The Big Problem and Bigger
Promise of Working from Home, says that "9 to 5 is a relic" of a
bygone era. She adds, "There's nothing that says that work has to happen
from 9 to 5."
The Evolving Role of Management
Perhaps
she's overlooking top managers who might think otherwise. That's another
contentious issue in itself. Some managers have doubts about the
productivity of home workers. They also may feel a loss of control.
What's the answer?
Forbes published an article titled "The
Real Reasons Why Companies Don't Want You to Work Remotely." Here's our
interpretation of the points it makes:
--When a manager sees you
working, she intuits that you are being productive. The fact that you
may be busy texting friends escapes her. She is comfortable seeing the
illusion of work.
--Managing in person meets some managers' need
for a sense of power. Deep down they may realize they are no longer
really needed to exercise power in that way. They object to work from
home because they are running scared.
--With staff working from
home, a manager faces the dilemma of unused real estate, empty offices.
He will either have to risk continuing to operate with overhead lacking
a good justification or be burdened by the process of downsizing.
--Managing
a remote staff requires a skill that many managers lack. For them, an
in-office staff is familiar and easily managed. Even a hybrid approach
presents a new complication.
(Amazon sells a book that looks at
the question from a different angle. It's titled I'm Not Technically
Working from Home Anymore, I'm Living at Work. But when you look
inside, there are only blank pages with room for notes!)
Some
managers just don't wish to adapt to work at home. Bloomberg has news
for them. Its December 12 article contends, "The Five-Day Office Week
Isn’t Coming Back. WFH Is Here to Stay."
The
Pitfalls of In-Person Work
That's something the authors of Out
of Office would likely endorse. They point out that office work is
full of distractions that actually reduce productivity. In response many
workers have been taking work home in order to get it done. Their book
cites this example:
Before the pandemic, a friend used to reserve
between 9:00 and 10:00 PM -- after she'd put her kids to bed, while her
husband watched television beside her -- for what she called "actually
getting my work done." Technically, she worked pretty standard hours,
arriving at the office at 9:00 AM and leaving around 5:00 PM to pick up
her oldest from day care. But those hours were almost chock-full of
meetings, some more essential than others. The only time she could do
careful work, concentrated work, was at home during those extra two
hours every night.
Putting staffers in that kind of position
could be a recipe for burnout. That might be one reason that so many
people are actively looking for work-at-home jobs to rid themselves of
the office grind.
The 2021 “War on Talent”
A
recent Adweek article put a name to that result, calling it
"talent attrition." Based on interviews, it reported in its December 21
issue that "a flagging sense of morale and a competitive labor market
has led to a widespread exodus and reshuffling of talent. The great
resignation rocked industries across every sphere and media proved no
exception."
The article went on to say, "This brain drain
forced publishers to shelve initiatives they had planned for the year
and deflated the momentum they were building on the business side.
Managers struggled to keep reporters motivated to chase stories, while
sales teams floundered in the absence of their usual camaraderie."
"There
was a real war on talent this year," BDG [Bustle Digital Group]
president and CRO Jason Wagenheim told Adweek. "We had to focus
on initiatives like career advancement and company culture to ensure we
remained one of the best places to work in digital media."
Before
the spread of Omicron, there was much speculation regarding further
rebounds in ad spending. Forbes reported on a projected increase of 13
percent for 2022. That would generally have been good for editorial
operations.
More advertising usually leads to greater a need for
content and often translates into more generous editorial budgets.
That's not something we can count on, though. Like so much in this Covid
era, assumptions made today may suddenly become inappropriate tomorrow
due to emergent circumstances. Flexible and adaptive planning is the
approach we strongly commend for editorial managers.
William
Dunkerley is principal of William Dunkerley Publishing Consultants, www.publishinghelp.com.
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